In this publication we show the added value of our visitors programmes, such as building lasting relationships, and highlight some of the most rewarding visits.
A follow-up report looking further into the knowledge gaps in the cultural sector that contribute towards inequalities for disabled artists and audiences.
During the World Summit on Arts & Culture, UNESCO published a report calling on States to protect artists and culture professionals in emergency contexts.
An exploration of the needs, challenges and practices of welcoming and hosting forcibly displaced artists and art workers.
The evolving role of a cultural centre (1970-present). This third and last article covers the development of the Erasmus Huis up until the present day.
The great diplomatic turn (1960-1971). This second article covers a decade in which the relationship between Indonesia and the Netherlands changed dramatically.
Continuation of Dutch colonial structures in early postcolonial Indonesia (1945-1960). This first article covers the first years of Indonesia’s independence.
DutchCulture & Marokkueer Zawya are proud to present the exhibition 'Queer your Ramadan' from 27 March to 21 April.
The Cultural Participation Fund calls for initiatives that contribute to commemorating and celebrating the abolition of slavery. Deadline: 1 May 2024.
On 8 December, DutchCulture hosted the DTPHN symposium at De Duif in Amsterdam.  
Born to a Japanese mother and Dutch father, the young artist grew up and lives in Amsterdam, where we had a lively talk with her.
DutchCulture and Cobra Museum invited four young Moroccan and Dutch-Moroccan artists to shine their light on 'The Other Story' and on what art means to them.
A recap of the New Generations meet-up at Noorderzon Festival in Groningen for young artists and professionals in performing arts.
A recap of DutchCulture's most memorable conversations with artists, cultural professionals and experts: Artists in Conversation and Country Focus.
Our Creative Europe Advisor Julie Boodt explains how the European Commission is planning on realising the ambitions of the New European Bauhaus programme.
This is evident from a report by ABN AMRO and Women Inc. The representation of female artists in exhibitions and collections also lags far behind.
DutchCulture and The Cobra Museum for Modern Art present The Other Story of a new Dutch and Moroccan generation. Sign up now!
In July, we organised in collaboration with Female Economy the Morocco edition: watch the very intimate and lively dialogue between like-minded artists.
Bristolian Priyanka Raval illustrates how artists from Bristol are taking back ownership of public space in the city, from those in power to the people.
Our information point aims to help Dutch artists and organisations by answering questions about cultural cooperation with Ukraine.