Voor DutchCulture on Tour: editie Noord-Nederland vertellen 3 professionals uit de Nederlandse cultuursector over de internationale ambities van hun praktijk.

Multidisciplinary collaboration in the theme of ‘inclusivity and innovation’, celebrating 60 years of Dutch-South Korean diplomatic ties.

Een overzicht van het internationaal cultuurbeleid voor de provincies Groningen, Drenthe en Friesland voor makers met internationale culturele ambities.

MINDSCAPES challenges artists to explore how our surroundings can be a cause of social alienation, anxiety and depression, but also how we can find solace.

Can works of art provide an alternative critical way of thinking on migration, besides the discourse in which European democracy has become entangled? 

The report 'Advies Koloniale Collecties en Erkenning van Onrecht' was officially presented to Minister Ingrid van Engelshoven and published online this week.

Music by Dutch composer Simeon Ten Holt (1923-2012) features in Russian director Philipp Yuryev’s newest film 'The Whaler Boy'.

'Rebooting...' is a new residency programme for Egyptian and Dutch artists with the aim of creating new productions in the fields of music and digital arts.

An interview with Jennifer Tosch, co-founder of Sites of Memory: a corona-proof interactive theatrical walk through Amsterdam.

Using oral history, archival and archaeological research, this project aims to tell the story of Camp Columbia and Dutch plans for rebuilding its empire.

Between 17 and 20 September the Forum on European Culture took place, with various programmes that explored what connects and divides Europeans.

The European Literature Night, a EUNIC Netherlands project, brings together both celebrated authors and promising literary talents from all over Europe.

'Seeking a cross-border measuring tool', a study of the interconnectedness in the Flemish-Dutch theatre sector.

2020 Call for the DutchCulture Database of international cultural activities, adapted to the coronavirus restrictions.

EUNIC’s Sophie Logothetis went to ifa, the German Institute for International Cultural Relations in Stuttgart, for a job shadowing.

How to prevent cosmopolitanism from becoming rootless in a globalised age?